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Steve_Farmer_Jr
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Posted 3 Years, 1 Month ago #1
Apparently it wasn't love at first sight (or even second sight) for many of the musicians of the Philadelphia Orchestra when the Eschenbach appointment was announced.

Full article at http://inq.philly.com/content/inquirer/2001/03/13/ magazine/MUSI13.htm

Excerpt follows:

Taking a risk by passing the baton to Eschenbach

Will Christoph Eschenbach be the George W. Bush of music directors? Philadelphia Orchestra musicians and listeners left no dimpled chads to be interpreted; in fact, only a select few got to vote on the choice at all. The orchestra's search committee, acting as paternalistic as the Supreme Court, was well within its legal rights to name Eschenbach without the consent of musicians or a mandate from the ticket-buying public.

But Eschenbach may learn the difficulties of imposed leadership in a democratic setting. It hit many musicians like the dull thud of pragmatism, this decision in January to hire Eschenbach as the orchestra's seventh music director, starting in September 2003. At a meeting announcing the decision, players responded with silence. No applause, no excited stamping of feet. Silence. And then the resentment poured forth.
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Sky-Watcher
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Posted 3 Years, 1 Month ago #2
I read the article and, as a Philadelphia Orchestra subscriber, found it troubling. What the article didn't include, however, was a name the musicians would have preferred.

Henry Maurer, Cherry Hill, NJ, USA
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